In the ever-expanding world of art appreciation, one couple's journey led them to antique stores, where they discovered a love for art that spoke to them. Their acquisitions weren't driven by fortune but by the simple joy of finding pieces that resonated with their souls. Their approach was refreshingly unscripted — "looking for things we don't know we need." Their method involved purchasing pieces and researching conservation firms for treatment, and this journey would lead them to The Conservation Center.

This year, The Conservation Center celebrated its 40th anniversary. This is a notable moment in time to reflect. What we do every day at The Center is fine-tuning our "practice" of living a life of perfecting our process in our field. It is a living, breathing entity that brings us tremendous pride. The pride stems back to the foundation of principles and ethics, which is at the core of our daily decisions, actions, and processes.

Filled with seasonal charm and details, "Winter Sled Scene," attributed to Ukrainian-Russian artist Stepan Kolesnikoff (1879-1955), presents a quaint winter village scene. This gouache on paper board, measuring 21 inches high by 27 inches wide, arrived at The Conservation Center within a frame, bearing the marks of time and handling.

Within a family's history lie four unique pieces, each exuding its charm—a pair of Ostrich Egg Goblets with griffin stems and a set of Tree Frog Bowls embellished with Quartz. These artifacts have endured the passage of time, bearing the marks of age while witnessing generations of a family's history. These four items held a pride of place in a grandmother's formal living space where they silently weathered the years, bearing marks of unintentional neglect—dislodged pieces hastily reattached, a gentle patina settling upon them, telling tales of age and use.

With 30,000+ newsletter readers and 8,500+ Instagram followers, we love providing our community with a look into our world of conservation. Looking back at 2023, here are our most popular videos of the year!

“Marilyn Katz served on The Conservation Center's Advisory Board since 2004, but more importantly, Marilyn was my dear friend. I could go into great depth with her achievements and graciousness in serving The Center over so many years, but I would prefer to focus on who she was as a person.”

"The Bust of Venus was originally part of my father's art collection. My father collected old European master paintings, a few busts, European swords, Persian carpets, etc. My father acquired this bust when I was very young and when it was passed down to me, it unfortunately encountered damage during shipment." For the client, repairing this exquisite bust was more than just a preservation effort; it was a poignant way of safeguarding the memory of their father and preserving a piece of their family's history. Seeking to have the sculpture professionally repaired, the client entrusted The Conservation Center with the delicate task of conserving the Bust of Venus.

"River Scene, 1915," attributed to the Ukrainian-American painter Sam Ostrowsky, holds within its strokes the legacy of a talented artist and the tales of generations of owners. Purchased by the client's grandparents during one of their many travels, she remembers it hanging in their Minneapolis home and later adorning the walls of her parent's home. Ostrowsky, who immigrated to the United States in 1903 to live in Chicago and studied at the Art Institute of Chicago, added depth to its significance. "Several years ago, I had an appraiser look at it... The appraiser thought the picture may actually have depicted the Chicago River back in 1915. Although we don't know for sure, I have always loved the fact that the painting found its way back to Chicago."

The Conservation Center is featured In the HuffPost article “Experts Explain Why You Should Use Conservation-Quality Glass To Protect Your Old Photos” By Haley Zovickian.

We are honored to be included on this year's list of "The 75 Top Art World Professionals" published by ARTnews magazine - the only conservation firm in the Midwest to be featured on the list! 

Nestled within the bustling Harlem Blue Line CTA station on the O'Hare Branch, the iconic artwork Harlem Station, 1984 by the acclaimed artist Alex Katz takes center stage. As a distinguished part of the City of Chicago Public Art Collection, this oil on aluminum mural serves as a testament to Katz's artistic brilliance, encapsulating a vibrant array of larger-than-life portraits that skillfully capture the diversity and dignity of the everyday commuter traversing the Harlem station.

In the world of art and antiquities, few items capture the imagination quite like a candelabra. A symbol of opulence and refinement, these exquisite pieces often bear the weight of history and the artistry of unknown hands. The candelabra in question, a porcelain masterpiece adorned with Mercury gilding, is a testament to the craft of an artist lost to time.

Harry Houdini, the renowned escape artist, is an iconic figure in the history of magic and entertainment. A photograph capturing his daring straight-jacket escape with the Washington Monument in the background is not just a glimpse into his magic but also a window into history. This vintage piece, Harry Houdini Performance in Washington, D.C., circa 1918, attributed to Culver Pictures Inc., measures 9.5x7.125 inches and dates back to around 1918. Recently, this image underwent a meticulous conservation process, transforming it from a time-worn relic into a well-preserved piece of history.

Hidden beneath the welcoming back porch of the Kennicott residence at The Grove is a remarkable piece of history – a signature wall bearing the marks of countless Kennicott family members and visitors, with some signatures dating as far back as the 1860s. This unassuming wall, covered in signatures that bear witness to the passage of time, tells the story of a family deeply connected to their home.

Art conservation is a delicate and intricate process that aims to protect and restore artworks for future generations to enjoy. Among the many art forms, sculptures often present unique challenges due to their three-dimensional nature and the variety of materials used. Such is the case with the restoration of The Shepherd and The Sower, two exquisite bas reliefs by renowned Lithuanian artist Vytautas Jonynas. These reliefs, originally installed in the summer home of Joseph and Alexandra Kazickas in East Hampton, NY, hold not only artistic significance but also historical value.

This month, The Conservation Center’s painting department has been working onsite at the Chicago Transit Authority Blue Line Harlem Station to conserve Harlem Station, 1984, by artist Alex Katz. This freestanding cutout mural is 8 feet high and 50 feet long and is visible from both sides. Watch the sneak peek videos below, and stay tuned for an upcoming overview of this treatment.