As art enthusiasts, the staff here at The Center are always eager to witness the transformation of the pieces that enter our care. This month we were captivated by the recent results of a particular piece by Marisol Escobar. Made in 1954 as a gift to her studio mate, Richard Buzzle, Marisol created this stained wooden box out of an old butter crate, then added two stepped doors; this created a shape that is reminiscent of a religious altarpiece. Inside, she sculpted a nativity scene with numerous clay figures, and adorned the doors with metal star cutouts.
The restoration journey of this work started last fall, when it was initially brought to us. After consultations with our Objects Department, we knew this unique piece would need a lot of care. A majority of the clay figures had separated from the wood, and there were many loose fragments both large and small. That is why the conservator on the job, Josh McCauley, suggested two phases of care.
The first phase was completed in December (read more about Phase I here) and we started off the New Year with Phase II. This step included using the small loose clay fragments to fill in cracks of the sculptures, and then painting over the fill to match the surrounding color of the work. One of the metal stars, which was initially among the clay fragments, was attached in the back of the second level of the wooden box.
Before Treatment
During Treatment
After Treatment
After all of the restoration methods were finalized, the piece was surface cleaned a second time using dry methods. We also created a custom-made vitrine to display the work and preserve it for many generations to come. This piece is an excellent example of the transformations possible here at The Center. What came to us as a box full of clay fragments, now stands proudly with the original integrity of the artist and the memories of the man she once gifted it to.
