How in the world did a 39-year-old small town entrepreneur in downstate Illinois, in the depths of the Great Depression no less, get a ticket to what turned out to be one of the most famous games in all of sport? Known as the Babe Ruth “Called Shot” World Series game, it featured the Chicago Cubs vs. the New York Yankees at Wrigley Field in Chicago on October 1, 1932. In the 5th inning, Babe Ruth pointed to the outfield bleachers with his bat, then promptly hit a home run.
In 2014, a small group of volunteers in Marshalltown, Iowa, met to discuss the restoration of the Fisher Community Center Art collection, which had been untouched since the 1960s. The artworks were in desperate need for repair, care, and cataloguing, so the group set to work filing for grants and hiring specialists to help.
Our Furniture Department is thrilled to have performed a complex, multi-step treatment of a Chinese masterpiece. The Imperial Screen was produced as a gift in 1791 during the reign of Emperor Qianlong (1711 - 1799), the fourth emperor of the Qing dynasty who had one of the longest reigns in Chinese history, lasting just over 60 years from 1735 to 1796. The screen came to the United States for display during the 1939 Worlds Fair; The Golden Gate International Exposition in San Francisco. It is now a prized part of the Lizzadro Museum of Lapidary Art in Elmhurst, Illinois.
Thick or thin, matte or metallic, carved or clean-lines: fine art frames can fade into the background or compete with the artwork it displays for the viewers attention. The frame for The Annunciation does just that, with carvings, oil and water gilding, and yellow and red bole undertones - it truly is a work of art all on its own.
The Conservation Center is honored to partner with the Illinois Patrons of the Arts in the Vatican Museums to treat The Annunciation. Please enjoy this video explaining our second phase of treatment for the piece, included in their five-part lecture series, Rosa Mystica: A Journey of Renewal and Restoration.
Doris Lindo Lewis was an artist with many different stylistic interests, perhaps due to her mixed cultural heritage and experiences living in Costa Rica, Cuba, Jamaica, and the United States. She started with traditional oil landscapes, experimented with surrealism and charcoal portraits, and ended her career with abstract expressionism. Art from her surrealist period is particularly loved; the Boston Museum of Fine Arts, the National Gallery in Washington, D.C., and LACMA are among the major art museums to boast a surrealist Lewis piece in their collections.
Showcasing the beauty of antique furniture in your home décor can provide depth and warmth in a way that modern designs cannot match. The aged fabrics, custom finishes, fragile design details, and the maker's hand create a unique character that adds to the item's history and charm. However, age and history also require a certain level of consideration when putting antique furniture to day-to-day use.
Ever since photography became the favored medium of memory, painted family portraits became rare. These portraits are special heirlooms that deserve to be cherished and maintained for generations. A recent client of ours shared this belief and he and his family sent a portrait of their great great-great-grandmother to The Center for treatment.
Chinese Buddhistic Lions are symbols of feng shui that were traditionally placed in front of Imperial palaces and temples. Also called Imperial Guardian Lions, they can be a special addition to any private collection. They are usually bought and displayed in pairs—one male and one female. The male lion is identified by a globe under its paw, and the female likewise has a cub.
Spring is the time for weddings, as the weather is warming and the flowers are in bloom. This month, we had the pleasure of preserving an antique wedding dress made in 1900 from the Elk Grove Historical Museum located in Elk Grove Village, Illinois. According to their records, the dress was worn by Clara Schuette, who grew up in the museum’s farmhouse and married Henry Luehring on April 4th, 1901 in the museum’s parlor.
In 2014, a small group of volunteers in Marshalltown, Iowa, met to discuss the restoration of the Fisher Community Center Art collection, which had been untouched since the 1960s. The artworks were in desperate need for repair, care, and cataloguing, so the group set to work filing for grants and hiring specialists to help.
Our conservators come from vastly different backgrounds and specialize in treating countless types of objects, from oil or watercolor paintings to wood furniture to metal sculptures. Each piece is handled with expert attentiveness and care, whether it is large or small. One of our recently completed projects was on the smaller side—an ivory sculpture, measuring just over six inches tall.
The Conservation Center is honored to partner with the Illinois Patrons of the Arts in the Vatican Museums to treat The Annunciation. Please enjoy this video explaining our first phase of treatment for the piece, included in their five-part lecture series, Rosa Mystica: A Journey of Renewal and Restoration.
At 8½ feet tall and 6½ feet wide with over 150 painted figures, James Van Fossan’s “Drama Magnifico” was a sight to behold in our conservation laboratory. The large oil painting, which reportedly took the artist over 4,000 hours to complete, is like a modern version of Rubens’ swirling celestial compositions.
Our conservators love to work on pieces that showcase our city’s extraordinary history. It was a treat for our Paper Department to work on a series of twentieth century membership photographs from the Chicago chapter of the Scottish Rite. The photographs were taken and developed by the Gibson, Sykes & Fowler studio, one of the Chicago’s earliest photography studios that opened as early as 1860.
As art enthusiasts, the staff here at The Center are always eager to witness the transformation of the pieces that enter our care. This month we were captivated by the recent results of a particular piece by Marisol Escobar. Made in 1954 as a gift to her studio mate, Richard Buzzle, Marisol created this stained wooden box out of an old butter crate, then added two stepped doors; this created a shape that is reminiscent of a religious altarpiece. Inside, she sculpted a nativity scene with numerous clay figures, and adorned the doors with metal star cutouts.
Our home base in Chicago has many cultural jems, and The Conservation Center has recently had the privilege of working with one of them- the beautiful Shedd Aquarium. Working closely with us throughout the conservation process, the Shedd Aquarium sent us a work that does not depict one of their thousands of species of fish, as you might have guessed, but rather a portrait of their generous patron and founder, John Graves Shedd.
Louisiana’s most famous female artist, Clementine Hunter, didn’t start creating art until around the age of 50. Born just a few decades after the Civil War, Hunter lived most of her life on the Hidden Hill and Melrose cotton plantation where she worked as a field laborer and domestic worker, respectively. It wasn’t until the mid-1940’s when a visitor of the plantation left behind art supplies that Hunter began to create the art she is known for today.
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