At The Conservation Center, we love hearing the stories our clients share about their artworks, and learning more about family histories. This was certainly true in the case of a portrait that was recently treated by our Painting Department. The sitter in the portrait is Marshall Field II, and the piece was brought to us for conservation treatment by his great-grandson, Marshall Field V.
A Stitch in Time
When extraordinarily fragile pieces are treated by The Center, often the conservators recommend handling the pieces as little as possible to preserve their longevity. So when Gloria Diaz brought in a delicate lace mantilla and expressed that she would like it to be functional for future ceremonies, we knew we had our work cut out for us.
At the time Gloria brought in her mantilla, it had been used by three generations in twenty-four weddings, ten baptisms, on “Taking of the Veil,” and one First Communion. Since the lace garment had been both well-loved and well-used, it exhibited inevitable signs of wear. As Gloria noted, “I realized that the mantilla was near the end of its life if we did not do something to improve its condition. Because of its special place in our family, we wanted the mantilla to be something that existing and future generations would use.”